Film Projects

Dick's Sporting Goods, "Reflections: Jeremiah" Late July 2025 commercial. Song: Trendsetter by Connor Price & Haviah Mighty

If this song moved you, listen on Spotify here 🎧 https://open.spotify.com/track/7lYiGj1DG0ZIfQVJUn4mkI?si=fa37ab9b8a174f3a 👉Please Remember To Like, And Share This Video! Thank You! Subscribe to be notified of upcoming releases! 👉 Head over to Spotify and hit that SAVE button! 👉https://open.spotify.com/track/7lYiGj1DG0ZIfQVJUn4mkI?si=fa37ab9b8a174f3a ALL LINKS PINNED IN FIRST COMMENT BELOW Music by: Collective Worth Ft. Laura Cashman Music and Lyrics By: James Billington Music Production by: Jim Ebert Video Production by: Old Dominion Film Works Directed by: Andrew Jorgensen Hair and Makeup: Maeion Bryant Additional Photography: Sujay Khona Assistant Camera: Kennedy Harris Key Grip: Hintsa Mehari Background Singers: Allison Gryder Naomi Gertz Zara Darvish Shot on Location: First Christian Church Alexandria, VA Big Meadows, Shenandoah National Park Video Assets Provided by: Artlist.io Special Thanks: Tim and Nathan Bobbitt George Mason University Film and Video Studies Itzel Almazan Lyrics: El Shaddai El Shaddai Baruch Ata Adonai (Blessed are You, Lord) Praise be to His Holy name He rules with power and glory His Majesty shines so bright A beautiful and precious sight El Shaddai My God Most High I see you in everything Dark clouds roll by But I don't cry They roll along with the wind My El Shaddai Bridge over night That leads me into the sunlight El Shaddai El Shaddai Baruch Ata Adonai (Blessed are You, Lord) Praise be to the Risen King His throne is highest and holy His Majesty shines so bright A beautiful and precious sight El-Shaddai My God Most High I see you in everything Dark clouds roll by But I don't cry They roll along with the wind My El-Shaddai Bridge over night That leads me into the sunlight El Shaddai El Shaddai Baruch Ata Adonai (Blessed are You, Lord) El Shaddai My God Most High I see you in everything I see you in everything El Shaddai El Shaddai Baruch Ata Adonai (Blessed are You, Lord) El Shaddai My God Most High I see you in everything El Shaddai El Shaddai Baruch Ata Adonai (Blessed are You, Lord) El Shaddai My God Most High I see you in everything El Shaddai El Shaddai A beautiful and precious sight El Shaddai My God Most High I see you in everything

Lyrics: Nothing can be done that can't be undone with LOVE No crime or grudge unresolved by LOVE No high or drug that compares to LOVE LOVE IS THE SUM OF ALL THINGS There's no type of shrine that survives like LOVE No nourishment that provides like LOVE Deep and wide from the stars to the sky above LOVE IS THE SUM OF ALL THINGS There's no need that can fill a void like LOVE No power that can't be destroyed like LOVE No feeling quite as enjoyed as LOVE LOVE IS THE SUM OF ALL THINGS There's no truth as simple and pure as LOVE No remedy out that can cure like LOVE No strength able to endure like LOVE LOVE IS THE SUM OF ALL THINGS There's no task as easy to learn as LOVE No urge of greater concern than LOVE No sort of yearning that burns like LOVE LOVE IS THE SUM OF ALL THINGS No poem or song can describe our LOVE No hate or pride can divide our LOVE No man or woman could deny our LOVE OUR LOVE IS THE SUM OF ALL THINGS No poem or song can describe our LOVE No hate or pride can divide our LOVE No man or woman could deny our LOVE OUR LOVE IS THE SUM OF ALL THINGS Tony Roberts: Where do you find love in the world? Earleybird: Well, I think that, I mean if you listen to scientists and you listen to philosophers, they think that the universe is cold and distant, unforgiving, but I think the exact opposite- I think that LOVE is the underlying force that sort of grids the whole universe together and it’s there all the time, it’s there behind everything, and even when you’re going through the most perilous or treacherous or horrible situation, the most unimaginable things you can think of, I think that’s when love is there the most, and I think that LOVE is the greatest force in the universe, available to all of us at all times and there is no barrier towards accessing it. “Love” By Earleybird Produced by: Old Dominion Film Works / AJORGENSENFILM Directed by: Andrew Jorgensen www.ajorgensonfilm.com Gaffer: Wenhao 'Simon' Wang Assistant Camera: Sujay Khona, Evan Bowen Starring Earleybird @birdboogie & Jeevz B @jeevzb Shot on location at Sleepy Hollows Studios, Herndon Virginia @HollowsSleepy www.sleepyhollows.com Audio from Revealing Voices podcast interview with host Tony Roberts interviewing Kevin “Earleybird” Earley episode 54 @revealingvoices http://revealingvoices.com/index.php/2022/11/30/episode-54-kevin-earley/ Mural by @divorce.culture Jewelry by @ms.lagniappe From the upcoming album, “Riddles, Romance, & Rainbows” coming to streaming services March 10th, 2023 Produced, written and performed by Earleybird © Copyright 2022 Earleybird Recorded at District Entertainment studios on August 20th, 2022, mixed and mastered by Tynz @tynz_de Earleybird social: website: www.getthatworm.com instagram: @birdboogie twitter: @birdboogie facebook: https://www.facebook.com/getthatworm youtube: https://www.youtube.com/@birdboogie https://earleybird.bandcamp.com/

Film I in a series on Puerto Rican cinema.

The Honey Trap is a dramatic tale of espionage, propaganda, and romance, following the infamous Berlin rapper Denis Cuspert aka Deso Dogg and his journey from artist to MMA fighter to ISIS recruiter. When the FBI assigns a translator to monitor Cuspert, her quest to get close to him takes over her life. The Honey Trap reveals the powers that shape our world and what happens to those who step into the crossfire. Streaming December 6 with the Paramount+ with SHOWTIME plan. The stars have aligned. Paramount+ is the streaming home of SHOWTIME. Try Paramount+ for free today: https://prmntpl.us/PPlusYT Subscribe to the SHOWTIME YouTube channel: http://goo.gl/esCMib #TheHoneyTrap #ParamountPlus #SHOWTIME Subscribe to the SHOWTIME YouTube channel: http://goo.gl/esCMib Get SHOWTIME merchandise now: https://s.sho.com/33FGC1D TikTok: https://www.tiktok.com/@showtime Instagram: https://instagram.com/showtime Facebook: https://www.facebook.com/showtime Website: https://prmntpl.us/PPlusYT Like Paramount+ on Facebook: https://bit.ly/PPlusFacebook Follow Paramount+ on X: https://bit.ly/PPlusOnX Follow Paramount+ on Instagram: https://bit.ly/PPlusInstagram Follow Paramount+ on Threads: https://bit.ly/PPlusThreads Follow Paramount+ on TikTok: https://bit.ly/PPlusTikTok

Each semester, Film at Mason students collaborate on-location to produce a short film through the Mason Film Lab. In Fall 2018, Alumni of W.C. Taylor in Warrenton, Virginia worked with Documentary Directing students taught by Professor Maura Ugarte and Director / Producer and Program Director Giovanna Chesler to tell their story. The students and alumni generated questions that would support documenting the experience of African American students who studied at Taylor from 1952-1969 under a progressive model of education. On-set, students in Cinematography worked with Professors Hans Charles and Damien Coor in a six- camera crew alongside Sound Recording and Editing students led by Professor Amanda Kraus. Producers in Advanced Producing with Professor Lisa Thrasher further supported the production with additional student volunteers. Credits for the BEHIND THE SCENES film: Producer + Director: Giovanna Chesler Editor: Christopher Pompa Co-Producer: Maura Ugarte Assistant Producer: Randi Waddy and Rebekah Mejorado Interview, Camera, and Sound: Nicole Clavel, Christopher Malone, Sonja Phillips-Thomas. John Coughlin, Brianna Cabassa, Jalal Reha. Sound Design: Rick Girard2019, Mason Film Lab, film.gmu.edu Credits for the documentary film W.C. Taylor High School: A Legacy - Directed and Produced by: Giovanna Chesler Produced by: W. C. Taylor High School Alumni Committee Director of Photography: Hans Charles Written by: Miranda Waddy Editors: Miranda Waddy, Christopher Pompa Co-Produced by Maura Ugarte Executive Produced by Giovanna Chesler and Lisa Thrasher Associate Producers Miranda Waddy Earsaline Grant Anderson Rebekah Mejorado Samantha Beach Nick Napolitano Assistant Director: Andre Wilson Production Coordinators Mazin Harb Perry Jones Professor of Documentary Directing: Maura Ugarte Documentary Interviewers Michael Cacciabaudo Zachary Crooms Brittney Flores Drew Hallett Sungtaek Lim Christopher Pompa Alicia Rodriguez Sami Saab Andrew Simko Bryan Steger Nathan Taylor Rodrigo Vasquez Professors of Cinematography Hans Charles Damien Coor Camera Operators and Camera Assistants Fabrizio Alberdi Harrison Arsenault Reinaldo Arzola Sumona Banerji James Barrett Jesaline Benitez Nicole Clavel Blaire Collingwood Elizabeth Cornfeld Kaitlyn Daenzer Ryosuke Fujiwara Debra Fulk Stephen Gentry Mazin Harb Jonathan Ibarra Perry Jones Robert Labandeira Yana Litovinskaya Adriana Lopez Christopher Malone Joshua McLean Rosa Mendez Galicia John Mullen Christopher Oakley Graham Russell Abby Smith Taylor Spears Jordan Stelck Gavin Thibodeau Key Grip Andrew Jorgensen DIT Miranda Waddy Professor of Sound Recording Amanda Kraus Sound Recordists Conor Armstrong Nicholas Barta Sean Berry Camille Brayshaw Brianna Cabassa Capaso Casino Holden Conner Elizabeth Cornfeld John Coughlin Katherine Cowan Devin Easley Sanders Evans Billy Ferguson Debra Fulk Louis Garcia Stephen Gentry Jonathan Ibarra Ali Jalil Perry Jones Sungtaek Lim Scott Martin Joshua McLean Sonja Phillips-Thomas Jalal Reha Sami Saab Maxwell Snyder Avaanti Sridhar Bryan Steger Dylan Sullivan Sayf Turkomani Valeria Verastegui James Woolard Sound Mix Christopher Pompa Craft Service W. C. Taylor High School Alumni Committee Martha Walker Donna Benn Janice Carswell Production Assistants Elisabeth Angeley Dominique Bernardino Still Photographer Kauri George Special Thanks to the Mason Film Lab’s generous Sponsors and Contributors Erich Roland and DC Camera George Greene and The Washington Source Lori Yi Dean Rick Davis and the College of Visual and Performing Arts at George Mason University.

Each semester FAVS students collaborate on location to produce a short film for the Mason Film Lab. Producing students spend class time over the semester producing the location shoot and then collaborate on set with students in Cinematography to crew the short film. The Mason Film Lab short film is directed by an experienced director, produced by Professor Lisa Thrasher and FAVS Director Giovanna Chesler, and shot by Director of Photography and Professor Hans Charles. Mason Film Lab gives students real crew experience similar to what they will experience beyond their college education.

Each semester Film @ Mason students collaborate on-location to produce a short film for the Mason Film Lab. This semester students had the opportunity to work with Guest Director Collette Burton (Writer/Director/Producer known for Permanent (2017), HBO's Hung (2009-2011) and FX's The Riches (2007-2008)). On set students in Cinematography work with Professors Hans Charles and Damien Coor on camera and lighting alongside Sound Recording and Editing Students led by Professor Amanda Kraus. Producers in Advanced Producing with Professor Lisa Thrasher further supported the production with additional student volunteers and Technical and Administrative support by Andrew Jorgensen, Rebekah Mejorado, and Samantha Beach. Producer & Director: Lisa Thrasher Executive Producer: Giovanna Chesler Interview Camera & Sound: Heather Marshall, Will Sidaros, Jeremy Uniszkiewicz, Mia Ward, and John Zalubski Drone Operator: Damien Coor Editor, Colorist & Sound Designer: Alicia Rodriguez Music By: Justin Ueberhorst Voiceover: Rhyan Elliott

Each semester FAVS students collaborate on location to produce a short film for the Mason Film Lab. Producing students spend class time over the semester producing the location shoot and then collaborate on set with students in Cinematography to crew the short film. The Mason Film Lab short film is directed by an experienced director, produced by Professor Lisa Thrasher and FAVS Director Giovanna Chesler, and shot by Director of Photography and Professor Hans Charles. Mason Film Lab gives students real crew experience similar to what they will experience beyond their college education.

Mason Film Lab is built on a conservatory model of arts education where students have the opportunity to study Cinematography and Producing on a professional set. This year we launched the Mason Film Lab with two faculty directed projects, JAVA and THE PICK UP from G6 Pictures and are inviting a (very special) Guest Filmmaker to direct in Spring 17! Professor Lisa Thrasher guides the Producing class and team, and Director of Photography and head of technical crew is Professor of Cinematography, Hans Charles. We launched the Lab to prepare students for their professional careers. #FocusCaptureCreate #FAVSGMU #MasonFilmLab

RESIDUE is an award-winning poetic drama directed, written, produced and edited by Merawi Gerima. The film is an official selection for the 77th Venice International Film Festival. Originally from Washington, DC, and a USC School of Cinematic Arts graduate, RESIDUE marks Gerima’s feature directorial debut. The film finds aspiring filmmaker Jay (Obinna Nwachukwu) returning to his childhood Washington, DC, neighborhood that has been gentrified beyond recognition. Dealing with alienation from his friends, troubled by the disappearance of his best friend, and unsure of his place in this new community, Jay confronts issues of identity, gentrification and loss. More information at www.arraynow.com.

Zombies, a lack of communication, and no chargers, leave 5 strangers stranded in an abandoned home. Synopsis: Lives and cultures clash as five strangers struggle to survive a burgeoning zombie apocalypse. Cell phones are rendered useless, yet don't let them die... Today, we are reaching a symbiosis with our tech, as our environment depends more and more on staying connected through our devices. Last year, around March I started working on the script for a zombie horror short, and at the same time I began to meet the people I will be making content with for many years to come: Kenneth Daniel, Andrew Jorgensen, and Brandon Langford, I already knew Chris Franklin. First and foremost I just want to thank these guys; we’ve been on many journeys in the short time we’ve been moving as a unit. To be a filmmaker is to be a collaborator, and these guys are the best team to have in your corner. Expect to see a lot more from KOREVIDEO and soon to come. However, we all began our journey as team on the production of DEAD CELLS last summer. The task in hindsight was daunting, finish a short film after graduation from George Mason University’s FAVS program. Our budget was limited after a sub-par crowd-sourcing attempt on Indiegogo, which I will take the blame for. Yet, by far was not a total loss, we collected some donations from close friends, family, and fellow filmmakers who earnestly wanted us to do well. Support is necessary for any goal to be made possible. As I stated earlier, film-making is about collaborating, that includes raising funds for production. We were good with equipment for the most part, thanks to my team. Most of the budget was for props, food, and location. We completed the film, and made bonds with an awesome cast and crew that will last a lifetime. Once again, I say thank you to them all. Especially, my family for being my number 1 support system. We also managed to sneak our way into a few festivals: Spotlight Horror Film Awards - 2016 Bronze Award Winner http://www.spotlighthorrorawards.com IndieCapitol Awards - Nominated for Best Visual Effects http://www.indiecapitol.org DAZED 4 HORROR Film Festival - Best SyFy Horror Short Award Winner http://dazed4horror.weebly.com

Dr. Paul Lachelier talks about the importance of learning outside the classroom and how Learning Life's Citizen Diplomacy Initiative helps families do just that.

In our increasingly interconnected world, it is often said that international engagement is no longer a luxury. The future belongs to those who can act locally to globally. Yet travel is an expense few can afford. For this reason, there is growing interest in international “virtual exchange” or connection via the internet, which is often low-cost or free. However, much of the educational virtual exchange that exists is class-to-class, or student-to-student, and this tends to occur between relatively privileged students, reinforcing the already pronounced class bias of international affairs. Since August 2016, Learning Life has been developing a new model for international exchange — free, community-based, virtual exchange and project collaborations between lower-income families in different nations. It’s called the Citizen Diplomacy Initiative. For more information about Learning Life and the Citizen Diplomacy Initiative please visit learninglife.info or email us at email@learninglife.info

For more information about Learning Life and the Citizen Diplomacy Initiative please visit learninglife.info or email us at email@learninglife.info